top of page
 April Landscape Missouri1984 40 x 60 |  Blue Evening1985 42 x 60 |  Beech Forest Virginia1981 40 x 54 |
|---|---|---|
 Bridge on the Saco1975 30 x 40 |  Brook Trout1985 30 x 40 |  East of Lancaster1982 30 x 44 |
 Fields Above the Missouri1983 40 x 60 |  In the Mountains1983 36 x 50 |  Late Summer South Conway1982 40 x 60 |
 New Hampshire Afternoon1988 30 x 40 |  New Hampshire Farm1982 28 x 40 |  October Conway Lake1985 28 x 42 |
 October Danville Woods1981 24 x 36 |  Plum Island1980 34 x 48 |  Rider in the Morning1983 36 x 48 |
 The Green Boat1983 24 x 30 |  The Mississippi Spring Evening1980 44 x 60 |  The Saco in Maine1983 30 x 44 |
 Toward the River1976 15 x 18 |  Over in Maine1983 40 x 56 |  West Shore, Walker's Pondc. 1980 30 x 44 |
 New Hampshire Gladec. 1978 - 84 11 x 14 |  In Shadowc. 1980 13 x 20 |  Untitled (New Mexico)c. 1980 18 x 2 available for purchase |
 Late Summer, Conway Lakec. 1987 42 x 60 |  North of Santa Fec. 1980 28 x 44 |  December Moonc. 1980 23.75 x 31 available for purchase |
 Mid Summer Moonc. 1980 18 x 23 |  Grassy Forest1986 4.75 x 20.5 available for purchase |  November, Pinkham Notchc. 1980 12.5 x 20 available for purchase |
 The Trespasserc. 1990 28 x 40 |  The Saco River at North Conway1984 30.25 x 42 |  September Storm1983 36 x 54 |
 New Hampshire Evening1968 28 x 36 |  The Beech Forestc. 1980 36 x 44 |  The Hill Wife1969 38 x 45 |
 The Upper Fieldc. 1980 30 x 36 |  In The Valleyc. 1970 39 x 50 |  Spanish Graveyard, Galisteoc. 1980 2 x 46 available for purchase |
 Late Summer, Conway Lakec. 1987 42 x 60 |  Summer Nightc. 1980 28 x 42 |  Autumn Clouds, Virginiac. 1980 5 x 21 available for purchase |
Landscapes
Robert Jordan believed every painting should tell a story about the quality of a place.
He was intrigued with the light and shadow of every season.
He observed the light in September around sunset, the look of a field in the moonlight, the cool dark shadows under the branches along a New England river, and the deep, cold mountain views in
winter, all with the same painstaking even-handedness. He was a chronicler of the private and contemplative as expressed in landscape or a response to a place.
bottom of page