Landscapes

Robert Jordan believed every painting should tell a story about the quality of a place.

He was intrigued with the light and shadow of every season.

He observed the light in September around sunset, the look of a field in the moonlight, the cool dark shadows under the branches along a New England river, and the deep, cold mountain views in

winter, all with the same painstaking even-handedness. He was a chronicler of the private and contemplative as expressed in landscape or a response to a place.